Chapter 008 Offending the Land

The "Taiyi Tiandun Sword Technique" is renowned in the original world of Fu Shuo, and anyone who has come into contact with the Daoist sect is aware of it. It is said that this technique was created by the Daoist patriarch Lü Dongbin of that world. There are also accounts that before Lü Zu attained enlightenment, he wandered through the mundane world and encountered Zhongli Quan in a tavern in Chang'an, experiencing the "Dream of Yellow Millet." This led to his realization, and he sought transcendence, receiving the "Golden Liquid Great Elixir" and the "Lingbao Zhai Method." Later, he met the Fire Dragon True Man in the Zhongnan Mountains, who imparted the "Sun and Moon Mutual Worship Great Method" and the "Tiandun Sword Technique," thus achieving the Great Dao. This illustrates the extraordinary origins of this sword technique.

Fu said he was hungry at that moment, and when he saw a large bowl of white rice, a chicken leg, two eggs, and a plate of vibrant green vegetables being served, it greatly stimulated his appetite. Fu devoured the food ravenously, while mumbling, "Mother's cooking is the best..."

This sword technique is divided into eight methods: "chop, thrust, lift, wipe, draw, intercept, horizontal, and reverse." The eight methods interrelate, creating a complex interplay, allowing for a fluid and effortless engagement in combat, thus forming the dual art of striking and dancing. This represents a lower level of swordsmanship, and at this point, one has entered the right path. Furthermore, by making the sword body responsive, it can transform from long to short, merging the person with the sword, refining the spirit and forging it, possessing the qualities of "reversing the Milky Way, and the golden waves surging high." This method aligns with the principles of alchemy, and it is truly difficult to express fully.

Fu heard a deep, sinister laugh beside him: "Is that so? Don't worry, I will give you face and won't take his life, just let him fall seriously ill for a while!"

When Fu arrived at the Dan family mansion, he found it deserted, with not a single person inside. It seemed that this place had not been inhabited for a long time, as there were weeds and cobwebs everywhere. Fu suddenly realized, "Perhaps the Huangfu family is not an ordinary one after all"

Fu was taken aback and had not yet responded when he saw Huangfu Ming rushing away. Fu knew in his heart that the problem he had caused this time was likely to be much more troublesome than he had imagined

He thought of this and returned to the thatched cottage, immediately taking out his mobile phone. The Daoist sect has eight great mantras, which are essential for beginners in Daoism and have a wide range of applications. Reciting scriptures, performing rituals, conducting ceremonies, writing talismans, and executing spells all require the recitation of these eight mantras. For instance, if Fu wants to read the "Taiyi Tiandun Sword Technique" at this moment, he must first recite the "Opening Scripture Mystical Mantra": "Clouds and seals in the vast void, at the beginning of the great calamity; sometimes distant, sometimes near, either sinking or floating; wandering in the five directions, a foot away; the True Emperor of Heaven, writing with a brush; to expound the cave chapter, subsequently writing the spiritual talisman..." Only in this way can the various secrets hidden within the scripture be revealed one by one. He must first recite the "Opening Scripture Mystical Mantra": "Clouds and seals in the vast void, at the beginning of the great calamity; sometimes distant, sometimes near, either sinking or floating; wandering in the five directions, a foot away; the True Emperor of Heaven, writing with a brush; to expound the cave chapter, subsequently writing the spiritual talisman..." Only in this way can the various secrets hidden within the scripture be revealed one by one.

That being said, this land is merely a small shadow spirit, easily driven away by Huangfu Ming, so why should he be so afraid? The demon fortune-teller from last night was much more formidable, wasn't he?

***

"My dear son, you have worked hard studying, but you still need to eat!" Fu Shuo was deeply engrossed in his reading when he heard his mother's voice. She came over with a food tray, her heart aching as she spoke to her son.

Huangfu Ming was taken aback: "My lord, please don't..." Then came the sound of energy clashing, followed by a sinister voice that turned both alarmed and furious: "Alright, alright, you dare to lay hands on me... just you wait!" As the voice gradually faded away, Fu Shuo felt warmth returning to his body, and he sneezed several times. Still recovering from the shock, he heard Huangfu Ming, somewhat exasperated, say: "Sir, you have really gotten yourself into big trouble today!" As the voice gradually faded away, Fu Shuo felt warmth returning to his body, and he sneezed several times. Still recovering from the shock, he heard Huangfu Ming, somewhat exasperated, say: "Sir, you have really gotten yourself into big trouble today!"

It now appears that these requirements are remarkably similar to those of the "Taiyi Tiantun Sword Technique"! Could it be that the ancestors of the Fu family had already incorporated the "Taiyi Tiantun Sword Technique" into their daily practice of large characters? If this is indeed the case, then after practicing large characters for over a decade, Fu's foundation can hardly be considered anything but solid

This method was later passed into the hands of Zhang Sanfeng, the founding master of Wudang, who proposed the cultivation philosophy of "internal mastery of the elixir path, external manifestation of the golden edge." This practice has since been secretly transmitted within the Wudang sect.

The sword techniques are divided into three levels: lower, middle, and upper. The lower level is the long sword dance technique, the middle level is the dagger flying technique, and the upper level is the crescent moon divine technique. At this moment, Fu could not afford to think about the middle and upper levels; he could only barely practice the lower level long sword dance technique. Just a few glimpses left him astounded; this sword technique was clearly a true killing art, no wonder it had been secretly passed down and had never been revealed to the world

He is now increasingly confident in his ability to deal with the enemy, as he attempts to learn a few techniques in a very short time before the battle

Once he had made up his mind, he would naturally be able to gradually internalize this sword technique. Upon observing it, he felt an overwhelming sense of familiarity, as if this sword technique bore a striking resemblance to the calligraphy he had been required to practice since childhood.

The two fell silent and made their way back. Upon reaching the city gate, Huangfu Mingqiang smiled and said, "Sir, I have matters to attend to, so I will not keep you company any longer"

From a young age, his father taught him to practice calligraphy with the following principles: "Horizontal strokes must be level, vertical strokes must be straight, spacing must be even, intersections must be dense, ends must be sharp, the body must be upright, bends must be light, control must be decisive, deficiencies must be supplemented, excess must be reduced, arrangements must be uniform, and sizes must be proportional." He emphasized that "spirit and form must be unified, one must think quietly and concentrate, the mind's energy must be contained, intention must reside in the heart, and strength must be at the tip of the brush. Lead with intention, carry strength with energy," and "utilize the energy, skill, and strength of the whole body."

Fu's heart continued to sink, and the chilling cold he felt earlier must have been something that struck him. If it weren't for Huangfu Ming saving him, he would likely be dead like that young farmer. He felt both ashamed and guilty, and began to reflect on himself; he had never been so reckless before, so why was he so impulsive today

Fortunately, Fu Shuo, after so many years of tempering his character, gradually calmed his breath and thought to himself: "With the sword in hand to uphold the way. On the path of cultivation, there are numerous tribulations; with this sword technique, I shall slay gods when they block my way and slay Buddhas when they obstruct me, carving out a path to the heavens!"

***

He opened the "Taiyi Tiandun Sword Technique". This sword technique combines the essence of alchemy and swordsmanship, and can only be practiced after successfully establishing a foundation. Fu Shuo had always adhered to the ancestral teachings and had never practiced the contents within. However, in this urgent situation, he could not afford to be overly cautious! Any potential side effects would have to be dealt with after overcoming this hurdle!

Fu felt the sweat streaming down his forehead as he listened to the profound sword techniques being discussed. However, when it came to actual combat, the focus was on how to kill; every move and stance was aimed at taking a life. He had crossed over from a relatively peaceful and stable world; let alone killing a person, he had never even harmed a chicken. Witnessing such lethal swordsmanship left him utterly flustered.

Just one hour after Fu Shuo had not yet returned, a servant from the Huangfu family hurriedly delivered a letter. Fu Shuo was reading in the thatched cottage when he opened it, only to find it was written by Huangfu Ming. After just a glance, Fu Shuo's heart sank like a stone; the letter stated that both of them had encountered great misfortune today, and he had been punished by the Grand Duke with three years of confinement. He could not assist his master this time and advised his master to be cautious and mindful. Accompanying the letter was a safety talisman, which was said to ensure the master's safety for three days. Huangfu Ming expressed his shame, stating that he could no longer help his master in any other way.

Before his time travel, Fu Shuo was already known as Fu Shuo. He received extremely rigorous training in calligraphy from a young age, spending five to six hours each day writing large characters with a brush. There was a period when just seeing a brush made Fu Shuo feel nauseous